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Millie Marotta’s Beautiful Birds and Treetop Treasures is publishing today, inviting you to colour in amazing birds and other tree dwellers from across the globe. Whether you’re a seasoned colourist or a beginner, sometimes it can be difficult to know where to start. In this video (filmed ahead of the release of Millie Marotta’s Wild Savannah), Millie shares her top tips for colouring in. We’re always excited to see your coloured in artworks. Share your creations online using tag #MillieMarotta and upload it to the colouring gallery on Millie’s website. Happy colouring!

 
Image: Florida tree snails, illustrated by Millie Marotta, coloured by Julie Lanchon.

Millie Marotta’s Beautiful Birds and Treetop Treasures is out on the 7th September! To celebrate, we are inviting you to colour and share this cuddly koala for your chance to win a Millie Marotta bundle.

Download your Koala illustration below, print it out and get colouring.

Share your coloured creation by posting it as a visitor post to the Colour & Win with Millie Marotta Facebook page. You’ll find the visitor post uploader at the top of the page, in the field where it says ‘write something on this Page…’ You can also enter via Instagram or Twitter using tag #MillieMarottaKoala. We will also accept email entries, please send your entry to: marketing@pavilionbooks.com.

10 winners, chosen by Millie Marotta, will each receive a signed copy of Millie Marotta’s Beautiful Birds and Treetop Treasures, a Millie Marotta Journal and a Millie Marotta’s Tropical Wonderland Postcard Book

The competition is open worldwide until 23.59 BST on 7th September 2017. Winners will be announced on Monday 11th September.

Do you love colouring in but are not sure how to improve your colouring skills? Then Masterclass in Colour is the book for you.

Artists Meriel Thurstan and Rosie Martin teach everything you need to know about how to use colour, light and texture in your colouring-in projects . You will learn which colours look good together and which colours to use for a brightly coloured picture or to achieve a more muted look. You will also learn to master techniques such as dealing with shadows, texture and pattern, blending colours, highlights and adding water droplets. Try out today with this free sunflower and bee tutorial from the book, download link below.

Find out more about Masterclass in Colour

Acclaimed artist Soraya French is renowned for her vivid semi-abstract contemporary landscape paintings. In Contemporary Landscapes in Mixed Media, Soraya gives a valuable insight into the way she works and where she finds inspiration. Here she shares her tips for working with collage to add an additional dimension to your paintings.

by Soraya French

Collage Materials

The kind of materials used for collage always depends on the artist’s personal approach. However, the most common items are tissue paper, exotic Indian handmade paper or Japanese rice paper, found objects and pieces of text cut from books, magazines or newspapers. Materials such as scrim, cheesecloth, netting from fruit packaging and similar items can all create quite interesting passages in the painting.

Working with collage is perhaps one of the best ways to lose your inhibitions and bring out your inner child. I use it quite moderately in my work as I like the interaction of washes of colour on the surface of the paper with the collaged parts. I feel that this creates a more exciting and chaotic surface that I can then manipulate to whatever shapes I need in my painting.

In the fun ‘Boat Race’ piece above all the sails and bodies of the boats are made up of pieces of handmade paper, magazine cuttings and tissue paper. The colours are reinforced with inks to protect them from fading. I applied the collage pieces first before adding washes of inks followed by heavy body acrylics to paint the sea.

I collect every type of exotic paper I come across in art shops and other outlets. Each one adds something unique and quirky to the painting – in fact sometimes it is the joy of using these fabulous papers that makes me start a painting.

Here I used a roller to colour my tissue paper with diluted Manganese Blue and Cobalt Teal heavy body acrylics. When it dried I applied a thick layer of gold mica flakes to add a real sparkle to the otherwise quite ordinary coloured tissue paper.

For this piece of customized tissue paper I applied a layer of gel on a double layer of the paper and allowed it to form its natural creases. When it dried I applied Fluid and heavy body colours in pink, red and bright aqua green. Finally I added gold and bronze on top. This makes a very beautiful and exotic looking paper.

It is great fun to make your own handpainted collage pieces. I like to use white tissue or good-quality cartridge paper as a base and then add my colours by roller, drips, drizzles, drawing and spraying. These unique pieces are great to add to the paper or canvas as the starting point for an abstract or semi-representational painting.

Extracted from Contemporary Landscapes in Mixed Media by Soraya French, published by Batsford.

The theme for the Batsford Prize 2017 is ‘Interpreting Nature’.  Shortlisted entries are showcased below.

APPLIED/FINE ART

Farah Ishaq, University of East London, ‘Mural for St. James’

Farah_Ishaq

Harriet Fawcett, The Glasgow School of Art, ‘10 Minute Fruit Salad, Ignis Fatuus, Unsettled-Amnesia, Apis as Currency and Catch 22′

harriet

Jemima Hall, Oxford Brookes University, ‘Temporality’

jemima

Nathan Walker, University of Derby, ‘Individuality’

nathan

Steven Ryder, Leeds College of Art, ‘Anatomy’

steven

Svetlana Ochkovskaya, Southampton Solent University, ‘Body G’

Link to art installation here.

Svetlana_Ochkovskaya

Tina Scopa, Duncan Jordanstone College of Art & Design, ‘Weeds’

tina

ILLUSTRATION

Abbie Cartmell, Duncan of Jordanstone College of Art & Design, ‘Roaming’

abbie

Andrew Wilson, University of West England, ‘Wool Gathering’

andrew

Cecelia Wood, Cambridge School of Art, ‘Finding Nature in the City’

Cecelia-Wood-Nature-in-the City-printable-A3-sized

Harry Woodgate, Arts University Bournemouth, Untitled

Batsford Prize 3 A3 print

Katherine Hillier, Camberwell College of Arts, ‘Fruits of our Culture’

katherine

Shih-Hsien Hsu, Royal College of Art, Untitled

shi-hsen

Ursula Tolliday-Bolland, Anglia Ruskin University, Untitled

ursula

CHILDREN’S ILLUSTRATION

Anna Doherty, Cambridge School of Art, ‘Forest’

Anna Doherty forest

Celina Buckley, Cambridge School of Art, ‘The Salmon/The Lake/The Forest’
celina
Hannah Mitchell, Arts University Bournemouth, ‘Deforestation’

Hannah_Mitchell

Katie Cottle, University of the West of England, ‘Home Grown’

katie-cottle

Katie Rewse, Arts University Bournemouth, ‘Coral Reef’

katie-rewse

Louise Warwick, Cambridge School of Art, ‘Have you heard…’
louise
Matilda Scott, University of the West of England, ‘Beaks’

matilda

FASHION

Brittany Alker, University of Central Lancashire, ‘Alternative Nature’

brittany

Emily Burnel, Robert Gordon University, Untitled

emily

Evangelina Rodriguez Gonzalo, London College of Fashion, ‘Where the River Meets Fashion’

evangelina

Flora Nash, Leeds College of Art, Untitled

flora

Gabriella Winter, University of East London, ‘The Intricate Depth of Natural Form’

Gabriella_Winter

Valeriia Kostina, London College of Fashion, ‘Sensorium’

4_Collection

Youngmi Kim, London College of Fashion, ‘shehastwosmallmoons’

Youngmi_Kim

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